Con este cable de instrumento PRS, disfrutará de una calidad de sonido de primer nivel, además de la durabilidad y la robustez que necesita para la confiabilidad a largo plazo. Construidos con la ayuda de Van Damme Cabling, los cables de instrumentos PRS tienen baja capacitancia y excelente rechazo de ruido, justo lo que su guitarra o bajo necesita para sonar mejor. PRS se toma muy en serio las guitarras y el tono, y también hacen un cable muy confiable: agregue un cable de instrumento PRS a su equipo hoy mismo.
Características:
Cable de instrumento de señal no balanceada y de baja capacitancia.
Longitud: 18 ‘
Conectores Gold Neutrik rectos
LSchefman –
The PRS cables were my preference, here’s why:
1. The main thing that preserves high end on a cable is low capacitance. The higher the capacitance, the lower the treble rolloff point. Mogami specs theirs at about 45 pf per foot. The Van Damme is about 25 pf per foot, and that translates audibly to longer cable runs without treble loss. In the audio shootout with Mogami Gold, Canare and the Lava Ultramafic Flex specialty cables and Ultramafic stiff cables, but the PRS/Van Damme preserved the highs best. I’ve only found a couple of cables that have capacitance as low as the PRS cables, and they’re all more expensive.
I’m now running an 18 foot cable from the guitar to the pedalboard, a 25 foot cable from pedalboard to my switchbox, and the amp run lengths vary from 10-25 feet in my studio. That’s a lot of cable, not to mention what’s on the pedalboard (Van den Hul or Evidence Audio), and yet I still retain plenty of high frequencies.
I should mention that my studios have been wired with Mogami cables since 1989, so I’m not against Mogami. In fact, the Mogami came in second in my tests. The Canare was nice, but rolled off too much high end for my taste, though that could be good for high gain players. I wasn’t fond of either of the Lava cables I had on hand. They really rolled off the high frequencies, and made things sound muddy (18 footers). I’m only keeping them to use with synths or other line level sources.
2. The PRS/Van Damme are very resistant to handling noise – that crackling that you sometimes get on stage or in the studio doesn’t happen with them.
3. The PRS/Van Damme are by far the most flexible cables, so they lay flat on the floor, don’t get tangled, etc. Of the ones I tested the Lava were the stiffest (I kept tripping on them). The Ultramafic Flex weren’t all that flexy, and the stiff ones with the solid core are unusable in a stage environment, they’re like coat hangers. It’s nice to have cables lay so flat that you don’t trip over them, and they’re easy to lay out when routing from pedalboard to amp, etc.
4. I found the PRS were also highly resistant to picking up noise.
Anyway, the bottom line is that the PRS cables are all I’ll use now (though if I need special lengths that PRS doesn’t offer, I’ve been able to source Van Damme for custom runs). Still, cheaper just to buy from PRS if you need standard lengths.